Art Kavanagh

Following from my previous post on Shakespeare’s Roman plays, in which I discussed Julius Cæsar and Antony and Cleopatra, here’s what I have to say about Coriolanus.

Pakistan says it will nominate Donald Trump for Nobel Peace Prize. Well, if Kissinger got it … Though, really, he deserves the Economics prize for his innovative thinking about tarrifs and blockchain.

All these years later, still having to use the Terminal to unmount my lone remaining Sony Walkman:

sudo umount /Volumes/WALKMAN

I almost missed the fact that a new album Close to Mars by the trio John Taylor (p), Palle Danielsson (b) and Martin France (d) — all of whom are now sadly deceased — came out earlier this year. I’d been planning to go to see JT at Marciac the summer he died — a decade ago already 🎹 🎶

English is in precipitous decline. Still one of the most popular A-levels when I left school in 2011, it no longer even makes the top ten, having been displaced by various Stem subjects and those vulgar parvenus, sociology and psychology.

James Marriott. But 2011 is still recent, and it’s possible that the tide will turn against computer science and sociology.

After some hesitation, I accepted the 3-month free trial of Apple Music that came with my MacBook Air, and I’ve just listened to 6 Enrico Pieranunzi albums in a row: 3 with Jasper Somsen, 2 with Thomas Fonnesbaek and 1 with Marc Johnson. I feel I’ve done something that shouldn’t be allowed!

A look at Chris Power’s short story collection from 2018, Mothers.

I noticed a few weeks ago that Google hadn’t been indexing my Micro.blog site at talkaboutbooks.net including my newsletter posts. That’s now being rectified, I’m glad to say (even if I had to sign up to Search Console).

Apple is reportedly changing the way it numbers OS releases. MacOS will leap from version 15 to 26, watchOS from 12 to 26 etc. That might be a bit less confusing. (I’m still angry that I never got to use Windows 9.)

I read Lisa Lutz’s The Accomplice 📖 last week. Not quite as good as her extraordinary The Passenger but still highly enjoyable. I’m already looking forward to rereading it.

Brian Klaas’s nonfiction book, Fluke, revived my dormant interest in determinism, free will, chaos theory and more, and integrated them into a stimulating argument.

I replaced my 5-year-old Intel MacBook Air with an M4 and got 3 free months of Apple tv thrown in. So, I binge-watched Liaison 📺 with Vincent Cassel and Eva Green. Meh. Good cast (très sympa), risible story, a combination I find particularly frustrating.

Astonished to learn that Stiff Little Fingers still exist, with two original members. Who knew? 🎶

The Moonstone, we are told, is “the first, the longest, and the best of modern English detective novels.” But perhaps that’s not where its main interest lies.

“My Back Pages” is the only song from Somewhere Before that I ever listen to now (though I have the album on CD). I hadn’t realized till I read Ethan Iverson’s Shades of Jazz today that the Byrds recorded a version that Jarrett’s performance resembles more closely than it does Dylan’s 🎶 🎹

Daphne du Maurier’s novel, The Scapegoat, is set roughly contemporaneously with its publication (1957) in the aftermath of the Second World War. When two doppelgängers, a French aristocrat and an English lecturer in French history, swap identities, neither gets quite what he was expecting.

Henry Fielding’s 1749 novel is centrally concerned with justice (particularly natural justice) and the difficulty of knowing the truth. And more besides (it’s a long novel), but I focus on these two themes.

Missing from this list of Irish second albums are Clannad 2 (1975) and The Radiators’ Ghostown (1979) — the latters’ first being TV Tube Heart 🎶

Been comparing Enrico Pieranunzi’s “Earlier Sea” from the album Special Encounter (with Haden and Motian) with the Italian radio recording of “Mare Anteriore” (with Marc Johnson and Joey Baron, apparently from the same session as Current Conditions) and the Johnson/Baron version is better! 🎶 🎹

First the meme coins, now the market manipulation. I suppose it was predictable that Trump would shamelessly exploit his immunity to make himself obscenely rich. It’s infuriating that he’s getting away with it, though.

Chet Baker Reimagined — new reworkings by R&B. pop, soul and jazz artists: The review doesn’t mention “That Old Feeling”. Surely they didn’t leave that out? 🎶

The newsletter post that should have gone out today will, I’m afraid, be delayed by a week. My apologies. As I said at the end of the previous post, today’s should have been about Henry Fielding’s Tom Jones. The reason for the delay is that I haven’t finished rereading it yet; indeed, I’m only about halfway through. I’d forgotten how long it is (800 pages). There’s no doubt, too, that I’m a slower reader than I was in 1995, which is the last time I read it.

The Guardian has Daryl Hannah’s 10 best films — ranked 🍿. Hmmmm. I don’t want to make any extravagant claims for Ivan Reitman’s Legal Eagles. It was very average and failed to justify its enormous budget, but surely it’s better than at least one of the films on this list.

Goodbye Val Kilmer. I liked him in Spartan 🍿. Wouldn’t mind seeing it again.

The Critic has a nice profile of Paul Simon, composer of such superb jazz standards as “I Do It for Your Love” (Bill Evans), “Still Crazy After All These Years” and “50 Ways to Leave Your Lover” (Brad Mehldau) and “Bridge Over Troubled Water” (Kevin Hays) 🎶🎹