βOnce Brad Mehldau went off into one of his twelve-minute rhapsodies, and right there, about nine minutes in, you heard it: Lula-by of Birdland.β
Adam Gopnik in The New Yorker, Saving Birdland β and jazz history πΆ
βOnce Brad Mehldau went off into one of his twelve-minute rhapsodies, and right there, about nine minutes in, you heard it: Lula-by of Birdland.β
Adam Gopnik in The New Yorker, Saving Birdland β and jazz history πΆ